







Afghan | 110 x 82 cm | Nr. Z-4621
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14-day home trial |
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Free delivery & returns within the EU |
Afghan
This one-of-a-kind piece in dark red and black and white combines traditional craftsmanship with timeless elegance. With a knot density of approx. 90,000 knots per m², the elaborate workmanship shows above all in the precise drawing of the pattern and the fine execution of the details. At 110 × 82 cm, it works well as a bedside rug. It also looks just as good in a reading corner. The harmonious colouring and characteristic texture lend any room an exclusive, homely atmosphere. A rug of this quality is far more than a furnishing item – it is a piece of traditional textile art with individual character and lasting value.
| Delivery time | 2 days |
| Origin | Afghanistan |
| Dimensions | 110 cm x 82 cm (= 0.9 m²) |
| Construction | hand-knotted |
| Material |
Pile: wool (hand-spun, natural dyes) Weft & Warp: goat wool |
| knots | 90.000 |
| Year of manufacture | 1970 |
| Condition | pre-owned, but in very good condition (cleaned & restored) |
| Edition | one-of-a-kind piece |
Origin
Rugs made in Afghanistan – known as Afghan rugs, or simply Afghans – are unmistakable. In Afghanistan's cultural melting pot, Baluch, Turkmen, Kazakh and Uzbek weavers came together, each bringing influences from their homelands. During the 19th century, Turkoman tribes settled villages in Afghanistan, which brought Turkoman weaving styles into the region. The designs of the various tribal groups – among them Esari, Salor, Tekke and Yomut – are wonderfully varied. What holds them together stylistically is the use of intricate elephant's foot motifs (known as guls), lively reds, decorative bands and ornamental end panels.Tribal weavers used natural dyes to create an enormous range of reds, from deep aubergine brown to warm burnt orange. These glowing colours are traditionally combined with clear blues and ivory accents. While the tribes of Afghanistan frequently use guls and serrated stars, it is in the decorative borders and end panels that weavers have traditionally worked a little of themselves and their culture into the design. The same is true of the decorative rugs from Bukhara, where all-over gul motifs are widespread.
The gul is a versatile motif, used as a medallion or for repeating patterns. It can be set against a monochrome field or linked into a striking tile pattern. The rich colours and bold design of antique Afghan rugs make them spectacular statement pieces that complement a wide variety of interior styles perfectly.
Because of the political situation in Afghanistan, only a few Afghan rugs are still made today.
Material
The technique used to make the materials for this Afghan's pile is more than 200 years old. The wool was dyed with natural colours and spun by hand. Dyeing with natural or plant-based colours is more complicated, more expensive and more time-consuming than dyeing with chemical dyes. For a luminous red, for example, you need around one kilo of ground madder root as a dyestuff per kilo of wool. For a strong yellow that isn't too pale, you even need two kilograms of weld per kilo of wool. Spinning the wool is just as time-consuming and labour-intensive. And fewer and fewer people still know how to spin wool by hand.But the effort is worth it: dyeing with natural colours allows the high-quality wool to keep its natural oil content. Wool that has been dyed with natural colours and spun by hand creates fascinating, shimmering patterns. The charm of hand-spun wool, with its slight irregularities and natural shades, comes into its own as a contrast in modern interiors, but equally in rooms furnished in a more traditional or country style.
The foundation (weft and warp threads) of this Afghan was made from goat wool.
Condition
This Afghan has had admirers before you. The fringes could do with a repair. There is one 6 cm patch where the pile has no wool left. The pile is worn in places. In some spots a few white threads are visible. That is perfectly normal with older rugs. They are the knot ends of the weft and warp weave, which work their way to the surface over the years. In substance, this is not a major problem. It was knotted around 1970. We have cleaned it thoroughly and restored it with care. Despite its age, it is therefore in very good condition.
A note on the photos
Child labour? No thanks.
Child labour? No thanks. Children belong in school, not at a knotting frame or a loom. For us it therefore goes without saying that we only offer rugs made under fair conditions and without child labour.
We attach particular importance to humane working conditions and tolerate no child labour at any of our producers. Thank you for helping us to ensure fair conditions.
That is why we support the initiative Care & Fair against child labour in the rug trade.
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14-day home trial |
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Free delivery & returns within the EU |



