






Kazak | 313 x 84 cm | Nr. Z-4450
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Mottled Kazak runner, rust red with border and diamonds
| Origin |
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| Dimensions | 313 cm x 84 cm (= 2.63 m²) |
| Construction | hand-knotted |
| Material |
Pile: wool (hand-spun, natural dyes)
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| knots per m²2 | 120.000 |
| Pile height | 5mm |
| Year of manufacture | 2010 |
| Colour | Rust red, Beige |
| Edition | one-of-a-kind piece |
Origin
Kazak rugs (also spelled Kasak) belong to the group of Caucasian rugs. Rugs have been made in the Caucasus since the end of the 18th century. Their hallmark is abstract geometric tribal patterns in primary colours. Typically, the geometric and, more rarely, floral motifs are rendered in intense, high-contrast colours. In the 19th century, a considerable share of these largely village-made rugs was exported to the West under Russian control.
This Kazak rug was hand-knotted in Pakistan following a traditional method, using hand-spun wool and natural dyes.
Pattern
The edge of the rug is framed by a surround (border). The border forms a splendid contrast to the centre.
In the pattern of this Kazak it is above all the diamonds that catch the eye. A diamond is a rhombus standing on one of its points, and in an Oriental rug its four equal sides can be serrated, outlined or set with hooks. The diamond is one of the oldest basic forms in the Oriental rug. In the Islamic world it carries a symbolic meaning: it stands for the immortality of the soul. That is why it appears so often as a filler motif.
The surface of this Kazak has a mottled look. The shifts in tone and the light-and-dark shading of the pile yarn make the colours shimmer and keep the rug forgiving of dirt. These colour shifts, known as abrash, give the rug a livelier character. The mottling comes about because the wool of this Kazak was hand-spun. During dyeing, the natural pigments are taken up to differing degrees.
The background of this Kazak is rust red. The border is worked in beige, rust red and dark blue.
Condition
You aren't the first to take a liking to this Kazak. It has had owners before you who valued it and used it. It was hand-knotted around 2010. We have cleaned it thoroughly and restored it with great care. Despite its age, it is therefore in very good condition.
Material
The technique used to prepare the materials for the pile of this Kazak is more than 200 years old. The wool was dyed with natural dyes and spun by hand. Dyeing with natural or plant dyes is more complicated, more expensive and more time-consuming than dyeing with chemical colours. For a luminous red, for example, you need around one kilo of ground madder root as dyestuff per kilo of wool. For a strong yellow that is not too pale, you even need two kilograms of weld per kilo of wool. Spinning the wool is just as time-consuming and labour-intensive. What is more, fewer and fewer people still master spinning wool by hand.
But the effort is worth it: dyeing with natural colours lets the high-quality wool keep its natural lanolin content. Wool that has been naturally dyed and hand-spun creates fascinating, shimmering patterns. The charm of hand-spun wool, with its slight irregularities and natural shades, comes into its own as a contrast in modern interiors, but equally in rooms furnished in a more traditional or country-house style. The foundation (weft and warp threads) of this Kazak is made of new wool.
A note on the photos
Child labour? No thanks.
Child labour? No thanks. Children belong in school, not at a knotting frame or a loom. For us it therefore goes without saying that we only offer rugs made under fair conditions and without child labour.
We attach particular importance to humane working conditions and tolerate no child labour at any of our producers. Thank you for helping us to ensure fair conditions.
That is why we support the initiative Care & Fair against child labour in the rug trade.
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14-day home trial |
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Free delivery & returns within the EU |




